The world of Bulan

A world held in balance.

Across Antique, every village depends on the bond between people, land, and spirit. When that bond fractures, Bulan follows the disturbance toward the mountain.

Chapter I · The land

What begins as a journey to heal three villages becomes a passage between worlds.

The premise

A failed initiation allows Limbongan to possess Salaknib and escape. Years later, corruption returns through restless creatures, poisoned paths, and rituals left unfinished.

Guided by Lola Huyon and joined by Iraynon and Ulang, Bulan must gather medicine, defend each community, and restore the way between the physical and spirit realms.

Four stages

Follow the disturbance uphill.

Each place introduces a new community, a new threat, and a more demanding cleansing rite.

01

Village grasslands

Yaman

Begin among fertile fields, gather healing herbs, and answer the first signs of spiritual imbalance.

Objective
Defeat the Sigbin pack and cleanse the ritual clearing.
Threat
Sigbin
02

River forest

Kahuy-Suba

Follow the river beneath an ancient canopy, learn stronger remedies, and confront a force that shakes the earth.

Objective
Drive back the Mangingilaw and restore the forest passage.
Threat
Mangingilaw
03

Mountain settlement

Iraya

Track poisoned hunters along arrow-marked trails as corruption climbs toward the highlands.

Objective
Hunt the Murokpok and purify the cliffside.
Threat
Murokpok
04

Sacred summit

Mt. Madja-as

Cross the final threshold, endure the Trial of Three, and enter the convergence of the physical and spirit worlds.

Objective
Complete the final exorcism and break Limbongan's hold.
Threat
Limbongan

Field bestiary

Meet what waits after sunset.

The enemies of Bulan are game interpretations informed by regional folklore and the project's cultural research.

01Sigbin creature concept art

Yaman

Sigbin

The bleeding shadowAgile melee · Bleed

A nimble nocturnal spirit-being adapted from Visayan folklore. It circles quickly, closes the gap, and leaves wounds that continue to bleed.

02Mangingilaw creature concept art

Kahuy-Suba

Mangingilaw

The earthshakerHeavy melee · Stun

A hulking presence associated in the project with sickness and spiritual disturbance. Its slow attacks erupt into punishing ground waves.

03Murokpok creature concept art

Iraya

Murokpok

The poisoned hunterRanged · Poison

A ranged threat drawn from Kinaray-a oral tradition. Poisoned arrows force the party to move, switch, and prepare the right remedies.

04Limbongan creature concept art

Mt. Madja-as

Limbongan

The jealous spiritPossession · Spirit corruption

The spirit behind the spreading disturbances. Limbongan's possession of Salaknib pulls Bulan toward a final reckoning at Mt. Madja-as.

People of the journey

Every road begins with someone.

Family, mentors, guides, and a troubled vessel carry the human story beneath the larger conflict.

01

Bulan's family

Yamanay & Datu Balantok

Yamanay begins Bulan's herb-gathering journey, while Datu Balantok entrusts them with the road ahead.

02

Ritual mentor

Lola Huyon

A respected elder who teaches Bulan the foundations of ritual practice.

03

Tamawo guide

Hiraya

A watchful presence who appears across the stages to warn and guide the party.

04

The vessel

Salaknib

A failed initiation and Limbongan's possession bind Salaknib to the story's central conflict.

Words of the world

Know the meaning behind the journey.

Authentic terms remain part of Bulan's voice, with context to help every player enter respectfully.

Kinaray-a

An ethnolinguistic group and language native to Antique in Panay. Bulan draws its setting and cultural research from Kinaray-a traditions.

Babaylan

A spiritual practitioner whose community roles may include healing, ritual practice, and mediation between human and spirit worlds.

Dungan

Spiritual energy used by Bulan to empower enchantments and sustain their role between two worlds.

Palayok

An earthen cooking pot adapted in Bulan as the vessel for its herbal potion-crafting sequence.

Bulan symbolically adapts selected cultural practices for gameplay. It does not claim to represent every Kinaray-a or Panay tradition.